This is what Jean-Pierre Rasle and the Dancing Drones are offering in: "CORNEMUSIQUES, The Piper's Magical Story", an outrageous melting pot of musical influences.
Based on the programme commissioned by BBC Radio 3, originally produced by Julian May, and selected for BBC Radio 4 "Pick of the Week" and the BBC World Service, its had its world live premiere at the Purcell Room, Royal Festival Hall on the South Bank, London, on Jan. 2 1997. It features Early, Baroque, Folk, Victorian and New music, with the specially formed Dancing Drones joining the musical forces of members of
The dazzling interplay of a huge range of instruments will make this a truly unique musical experience, as well as a showcase for little-known aspects of the French music tradition. Hilarious and thought-provoking readings from contemporary sources will intrigue the ear
Baroque, Folk and Contemporary music lovers will join in this celebration of the wide festive appeal of drone music through the centuries!
"... an enchanting history of the French bagpipes ..." Sue Gaisford, The Independent on Sunday.
Jean-Pierre Rasle and the Dancing Drones' "Extraordinary Story of the Bagpipes of France" will be touring extensively during 1997.
Contact: 171, High St, STONY STRATFORD, MILTON KEYNES, Bucks, MK11 1AP
In a show peppered with costume changes, outrageous original
readings and beautiful melodies, Jean-Pierre Rasle and the Dancing Drones
travel back in time:
After four years' touring, over 200 sell-out shows and 30,000 spectators in
Canada, France and Belgium, Jean-Pierre Rasle and the Dancing Drones now
present this unique programme in English, aimed at the widest audience,
from Arts Centres and Music Clubs to Festivals.
They cross the boundaries of Music and Drama, uniting Early, Baroque, Folk
and New Music in a highly visual, fast-moving performance.
This show, featuring 800 years of European music, encompassing elements of
theatre as well as many styles of music, dance and song, makes it an ideal
presentation for an event with a European theme.
Edinburgh Festival Fringe "... Jean-Pierre Rasle ... with the help of a coat
stand of costumes and a draped screen hung with bagpipes, pays homage to
France's rich and varied piping traditions in a delightful, off-beat gem
of a show ... Rasle plays while singing powerfully, with all the moving,
timeless simplicity of a real folk performance ... there is much
tongue-in-cheek courtly stepping and bowing, witty anecdotes and
readings ... there is also a great deal of lovely music." (The Scotsman)
Beverley Festival: "... Jean-Pierre Rasle's one-man show of the history of
French pipes ... Dramatic, funny, touching, informative and inspiring, it was
great stuff and well worth seeing. Festival organisers please note!"
(Bagpipe Society News)
On tour solo for the Jeunesses Musicales de France '91-'95: "In the
beginning was the pipe ... an unusual stage entrance and production surprised
the audience and immediately created the right atmosphere ... he presented,
described and played six different bagpipes in a travel through
time ... with, for each period highlighted, the appropriate costume, in front
of an audience mesmerised by such virtuosity and warmth of communication."
(Ouest-France)
RECORD REVIEWS:
TECHNICAL REQUIREMENTS:
REVIEWS:
BBC Radio 3 "... Cornemusiques (R3), an enchanting history of the French
bagpipe ... gorgeous - simultaneously rhythmical, delicate and savage,
lament entwined with desire." (The Independent)
"Jean-Pierre, as well as being a talented musician, has a wide-ranging
knowledge of his subject, and sharing his insights adds enormously to the
appreciation of the music ... Jean-Pierre is as much at home with formal
music as he is with folk. The stately tunes from the sixteenth century
Attaignant collection are exquisite ... a delightful tape and informative
booklet." (Taplas)
Sound: 4 microphones with boom stands (+1 radio microphone in larger rooms).
Light: 2 pairs of projectors on stands +1 staffed follow-on spot in larger
rooms.
Stage props: 1 clothes rail, 1 hat-stand, 1 large table, 1 chair.
Auditorium: At least 1 aisle with direct (central) access to the stage, or
2 on the side.